Production music refers to music which is owned by production music libraries.
Usually the music is composed especially for use in Film, TV, Radio, Business plus multimedia.
Since these libraries generally own all of the rights in the music they can licence it straight without the need to gain permission from writers or perhaps composers. It can as a result be licensed immediately with a definite cost to the end user.
The good thing about a production music library is that it is able to cater to a wide variety of musical styles and themes with numerous libraries holding 10 of thousands of cuts and tracks.
Production music gives producers and directors a platform from which to choose audio that is perfect for their brief or project. Libraries frequently have tracks relevant to current musical genres, styles, charts and culture. Many libraries will hold music across the whole spectrum of music history as well as include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary themes or collections created for media or business applications.
The convenience factor means that anyone who needs production library music is able to select from a big assortment of styles, access the audio from one spot and know precisely how much it will cost. Most libraries have Rate Cards so producers can budget for the costs of a project in advance.
Their is also the peace of mind that a great many libraries will frequently have a piece of music perfect for the project of course, if not will allow you to to find some. Quite a few will additionally offer custom music production services.
History of Production Music
Typical music for production has been around since the days of silent cinema. In those days the audio was supplied in form which is written and also sent over to small orchestras and bands who’d do the good live in time with the film.
Since then many production music companies have established audio and sound libraries. These include Boozy & Hawkes, KPM, Sony BMG, EMI, Extreme Music, Sonoton, Cavendish, de Wolfe and Many others.
Traditionally, music libraries sent out the music collections of theirs on CD. These days it’s much more likely to be seen via the internet, file downloading, hard disk or even CD’s, CD Rom, DVD-Rom
Production Music Online
The Internet has enabled music for production to be distributed online via downloading. It’s also given a platform for organizations which are new and libraries to set up independently.
There are now many production music libraries online. The quality and price tag can vary enormously as can the actual license terms or use of the music. However production music downloads now seem to be the preferred method for a lot of media professionals around the world.
Royalty Free Music
Royalty free music varies slightly to the attributes of production music.
Production music has frequently been licensed on a pay-per-use basis. That is you pay for every single use of the music – In case you wish to make use of music on a television set show then you license the rights for that. In the event that you would like to additionally use that music on an interactive CD-Rom then you would want to license those rights.
Royalty free music alternatively offers customers a way of purchasing a CD of the music which could then be used as often times as you like without any further payments or fees.
However the Internet as well as other issues has meant that lots of royalty free music libraries now operate more like traditional production music libraries and vice versa.
This is most likely due to the progress of independent music libraries who can produce their own license and finance models according to their very own marketplace requirements.
Sync Fees and Dub Fees
A fee for the licensing of their music is charged by a Production music company. This’s frequently referred to a’ Synchronization Fee’ or’ Dub Fee’. This is among the primary income streams for music libraries.
Performing Rights Organisations
Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, artists and publishers.
Performance royalties are generated when music is broadcast on Radio or TV or even played in places which are public as other business spaces and restaurants.
Music which is publicly performed or broadcast has to be licensed. For instance a broadcaster including the SKY or BBC has to pay to broadcast music as do restaurants, shops and users of music on hold systems and others.
These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses will be collected and split up between all of the members of that particular PRO.
Most countries have their own personal PRO which includes PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have more than one.
See the FULL LIST of Performing Rights Organisations
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Music libraries are also music publishers. The musical works of theirs are published via a PRO and public performance or any broadcast of that music will accrue performance royalties.